2015 Tony Awards Recap—Or, A Love Letter to Team Cummoweth
After the 69th annual Tony Awards wrapped up last night, I found myself thinking: What a nice little show that was!
And super-duper props to Kristin Chenoweth and Alan Cumming for that. Their cute but understated hosting made the evening feel chummy and intimate, even though it was a ginormous production that must have been insane to orchestrate.
I mean, we saw performances by the casts of 10 different Broadway shows; an “In Memoriam” tribute featuring more than 175 people, one of whom was Josh Groban; appearances by two New York City Ballet principals, one American Ballet Theatre soloist and one Royal Ballet soloist; and, um, a High School Musical reunion (eee!). Only Chenoweth and Cumming—the King and Queen (respectively?) of Broadway—could have made hosting that behemoth look easy. Also, they both have fantastic legs and weren’t afraid to show ’em, so, plus 1000 points.
“I said Fun Home, not ‘phone home.’ ” I die. (photo Charles Sykes/Invision/AP)
We heard this circus was going to involve a LOT of dancing,
and we were not disappointed. The award for “Most Effort Put Into a Tony Performance” definitely goes to On the Town, whose cast blazed through a dancetastic medley that included Tony Yazbeck waltzing in the aisle with Chita Rivera (YES). The King and I‘s Kelli O’Hara showed us why she deserved the Tony she won later in the evening by somehow managing to polka in the world’s largest hoop skirt. (And then, in one of the night’s cutest moments, she did “the worm” offstage after giving her acceptance speech.) The cast of Something Rotten! made fun of every Broadway cliché known to man, including the bring-it-home tap finale, in the most delightful way possible. And Robert Fairchild and Leanne Cope classed up the joint with a beautiful, swoony pas de deux (complete with pointe shoes, yay!) from An American in Paris.
So much pretty. (photo Charles Sykes/Invision/AP)
While most of the dance-world nominees didn’t take home awards last night, big congrats to Christopher Wheeldon, who won the Tony for Best Choreography for his brilliant work on An American in Paris. Let’s take a moment to honor him, because the broadcast didn’t actually give him one. (Note to the Tonys: Best Choreographer is a big deal. GIVE US THE WHOLE DARN ACCEPTANCE SPEECH, NOT A PALTRY SNIPPET.)
Here’s the full list of winners:
Best Musical
Fun Home
Best Performance by an Actress in a Leading Role in a Musical
Kelli O’Hara, The King and I
Best Performance by an Actor in a Leading Role in a Musical
Michael Cerveris, Fun Home
Best Performance by an Actor in a Leading Role in a Play
Alex Sharp, The Curious Incident of the Dog in the Night-Time
Best Revival of a Musical
The King and I
Best Revival of a Play
Skylight
Best Play
The Curious Incident of the Dog in the Night-Time
Best Performance by an Actress in a Featured Role in a Musical
Ruthie Ann Miles, The King and I
Best Direction of a Play
Marianne Elliott, The Curious Incident of the Dog in the Night-Time
Best Direction of a Musical
Sam Gold, Fun Home
Best Performance by an Actress in a Featured Role in a Play
Annaleigh Ashford, You Can’t Take It With You
Best Performance by an Actor in a Featured Role in a Musical
Christian Borle, Something Rotten!
Best Performance by an Actor in a Featured Role in a Play
Richard McCabe, The Audience
Best Performance by an Actress in a Leading Role in a Play
Helen Mirren, The Audience
Best Book of a Musical
Lisa Kron, Fun Home
Best Original Score (Music and/or Lyrics) Written for the Theatre
Fun Home
Best Scenic Design of a Play
Bunny Christie and Finn Ross, The Curious Incident of the Dog in the Night-Time
Best Scenic Design of a Musical
Bob Crowley and 59 Productions, An American in Paris
Best Costume Design of a Play
Christopher Oram, Wolf Hall Parts One & Two
Best Costume Design of a Musical
Catherine Zuber, The King and I
Best Lighting Design of a Play
Paule Constable, The Curious Incident of the Dog in the Night-Time
Best Lighting Design of a Musical
Natasha Katz, An American in Paris
Best Choreography
Christopher Wheeldon, An American in Paris
Best Orchestrations
Christopher Austin, Don Sebesky, Bill Elliott, An American in Paris