From Gibney Company to “Sleep No More,” Contemporary Dancer Eleni Loving Is Driven by Curiosity
Eleni Loving unspools movement like a magic trick. Dancing Twyla Tharp’s percussive The Fugue (1970/2024) with Gibney Company, she captures the work’s airy groundedness with precise musicality and a deadpan delivery. In Jermaine Spivey and Spenser Theberge’s Remains, she is a marionette who has cut her own strings, her gestures at once precisely calibrated and wholly in-the-moment, both […]
