What We Learned from “city.ballet.” Season 2, Episode 11
The ballet world is ruled by the young. Young bodies are just better suited to its crazy demands, which means that it’s not uncommon for a dancer to join a company at 16 and retire at 30. But ballet’s veterans—those who’ve been around for 10, 15, 20 years—bring a wealth of wisdom and experience to their performances. The eleventh episode of “city.ballet.” looks at some of New York City Ballet’s seasoned stars. Here are five things we learned from the ep.
Veteran/goddess Wendy Whelan rehearsing with Tyler Angle in a still from “city.ballet.”
1. In the ballet world, you feel ancient when the rest of the world still thinks of you as young.
Principal Andrew Veyette, who’s in his early 30s, had an epiphany about age while watching a basketball game. “I remember turning to my wife [that’d be fantastic fellow principal Megan Fairchild] and saying, ‘You realize most of these guys are younger than us.’ All of a sudden, you’re 15 years in and 10 years older than you think you are.”
2. Veteran dancers learn to look at ballet differently.
“As you get older, you get smarter,” soloist Craig Hall says. “You have to be more efficient, because you can’t just do it day-in and day-out without feeling something. You have to find tricks that allow you to do less physically and more mentally.”
3. But the best dancers age like fine wine.
Wendy Whelan, who until she retired in October was the company’s senior ballerina, is a goddess. Not that we learned that from this video—we’ve known it for years, along with the rest of the ballet world! But the footage of her rehearsing and performing Alexei Ratmansky’s Pictures at an Exhibition (at 3:06 and 5:19) is sublime. She’s 47 going on ageless.
4. OMG, these dancers have gorgeous families.
We get to meet the husbands of both Hall and principal Maria Kowroski, and—surprise, surprise!—these two extraordinarily beautiful people are married to two other extraordinarily beautiful people.
5. With age comes new challenges, yes—but also new opportunities.
“What’s interesting is that now, at this late time in my career, I’m getting to do all these ballets I’ve always wanted to do,” Kowroski says. “I feel like there’s a maturity I can bring to these roles now. Having more life experience brings a different kind of a depth to them.”
Click the image below to watch the full episode!